New York: G. Schirmer, no date. — 50 p.
From Schirmer's Library of Musical Classics, Vol. 1859.
From
Wikipedia: Cyril Meir Scott (1879–1970) was an English composer, writer, and poet...
Scott was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. If in his early works it was perhaps over-sweet (Alban Berg dismissed his music as 'mushy'), it became steadily more varied and more refined in his later years. Indeed, it is his late works (written between 1950 and his death) that are the most individual, with their ever-shifting harmonic colours and wayward inflections of phrase and mood, capturing perfectly the way the mind shifts, backwards and forwards, between reminiscence, regrets, and self-assertion...
Between 1903 and 1920 Scott wrote copiously for the piano. Most of these pieces were harmonically adventurous for their time and easy to play; they circulated widely in many countries of the world, in contrast to his more ambitious works, none of which received more than a handful of performances.
Danse nègre, Op.58 No.5
Souvenir de Vienne
From 2 Pierrot Pieces, Op.35: No.1
From 2 Etudes, Op.64: No.1
Lotus Land, Op.47 No.1
From 2 Pierrot Pieces, Op.35: No.2
Summerland, Op.54, No.2
From 2 Etudes, Op.64: No.2